Meet the Team
Linda Cohen
Music Supervisor / Head of Music Supervision
Throughout the years, Linda Cohen has dedicated herself to the art of music supervision, partnering with leading filmmakers across an impressive spectrum of projects that span indie hits and prestige awards contenders in both film and television.
Recently, Linda has recently expanded her music supervision sphere to also working in the UK, where she has partnered with Syn London Ltd. to head up their music supervision division working on UK-based productions. Joining her on the ground in UK is Music Coordinator Benji Compston. Together they are working on the critically acclaimed UK series The Agency: Central Intelligence (Paramount TV).
Also joining Linda’s team is NY-based music supervisor Alexandra Eckhardt. Alex joined Linda working on the Christmas musical Spirited (Apple Films) and the Sundance Grand Jury Prize winner A Thousand And One (Focus Features).
Linda’s current work includes the forthcoming new films, from writer/director Paul Thomas Anderson One Battle After Another (Warner Bros.) starring Leonardo DiCaprio, from writer/director Benny Safdie The Smashing Machine (A24) starring Dwayne Johnson and Emily Blunt, and the long awaited Disney sequel Freakier Friday starring Jaime Lee Curtis and Lindsay Lohan — as well as new seasons of the popular television series The Morning Show (Apple TV+) and the epic sci-fi adventure series Monarch: Legacy Of Monsters (Legendary TV/Apple+).
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2025 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Television Drama for The Sympathizer
2024 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for a Non-Theatrically Released Film for Please Don’t Destroy: The Treasure of Foggy Mountain
2023 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Non-Theatrically Released Film for Spirited
2022 Chlotrudis Awards
Nominated - Best Use of Music in a Film for Licorice Pizza
2022 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Film Budgeted Over 25 Million Dollars for The Tender Bar
2021 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Film Budgeted Under 25 Million Dollars for The High Note
Nominated - Best Song Written and/or Recorded for a Film for The High Note
Song: “Love Myself”
2021 Hollywood Music in Media Awards (HMMA)
Nominated - Best Music Supervision - Film for Licorice Pizza
2018 Chlotrudis Awards
Nominated - Best Use of Music in a Film for Phantom Thread
2017 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Film Budgeted for Under 25 Million Dollars for Queen of Katwe
2013 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Film Budgeted for Over 25 Million Dollars for Queen of Argo
2012 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Film Budgeted for Under 20 Million Dollars for Young Adult
Alex Eckhardt
Music Supervisor
New York-based music supervisor Alexandra Eckhardt is an emerging voice in film and television. A Grammy Award-winning musician, she brings sharp storytelling instincts and a versatile creative approach to every project.
Alex’s credits include the BAFTA-nominated film Passing (Netflix), A Thousand and One (Focus Features), winner of the 2023 Sundance Grand Jury Prize, and most recently, the docu-series Kings from Queens: The Run DMC Story (Peacock) and Kristen Stewart’s The Chronology of Water, which premiered at the 2025 Cannes Film Festival.
Alex is also an accomplished electric and acoustic bassist who has performed with artists including Sara Bareilles, Black Thought, Lizzo, The Killers, Kelly Clarkson, and Gloria Estefan. She has performed everywhere from The Tonight Show to NPR’s Tiny Desk, to iconic venues like Lincoln Center and the Hollywood Bowl. On Broadway, she originated the bass chairs for two Best Musical Tony Award winners: The Band’s Visit and The Outsiders.
With a background as a professional musician, Alex has also brought her unique expertise to on-set music supervision, as demonstrated on projects like Hulu’s musical series Up Here and Apple’s Christmas musical Spirited.
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2025 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Documentary-Series for Kings From Queens: The Story of Run DMC
2025 Grammy Awards
Nominated Project- Best Music Film for Kings From Queens: The Story of Run DMC
Nominated Project - Best Musical Theater Album for The Outsiders
2024 Tony Awards
WINNING Project - Best Musical for The Outsiders
2023 Grammy Awards
WINNING Project - Best Musical Theater Album for Some Like It Hot
2021 Guild of Music Supervisors Awards
Nominated - Best Music Supervision for Film Budgeted for Under 10 Million Dollars for Passing
2018 Grammy Awards
WINNING Project - Best Musical Theater Album for The Band’s Visit
2018 Tony Awards
WINNING Project - Best Musical for The Band’s Visit
Benji Compston
UK Music Coordinator
Benji Compston is a London-based music professional whose career spans producing, composing, performing, and business leadership. A founding member of the award-winning band Happyness—recipient of the 2014 NME Award for Best Lyric—Benji has since built a portfolio across film, television, advertising, and brand campaigns.
As Head of Business Development at global music and sound agency Syn, founded in Tokyo, he has collaborated on projects for major clients including Sony, CNN, BBC Film, Nikon, and Tencent. His work also includes co-writing The Story of How with Simon Le Bon for the feature film The Brighton Miracle.
Benji’s scoring credits include Alex’s Dream, Extinction (starring Emma Thompson), Spirit of Place (starring Mark Rylance), and Way Down Bundy. Benji brings his versatile experience to Linda’s team in the role of UK Coordinator. He is currently collaborating with her on the acclaimed UK political thriller series The Agency: Central Intelligence (Paramount TV).